Keechu Keechen கீசுகீசு என்றுஎங்கும் ஆனைச்சாத் தன்கலந்து

                           Keechu Keechu Endru Engum  

கீசுகீசு என்றுஎங்கும் ஆனைச்சாத் தன்கலந்து

In Keechu Keechendrengum” Pasuram

continues from where she left off in Previous Pasuram “Pullum Silambianakaal”, Andal and her troup goes to another Gopika’a house and addreses her as Pei Penne”. 

Andal lists a number of events signaling the arrival of dawn. This time it is the sounds arising out of chirping of Bhardwaja Birds  (Cuckoo), the sounds arising from the churning sound from the butter pail by maids as well as sound from  bangles and ornaments in their hands, Andal now tempts her to join by addressing her as “Nayaka Pen Pillaai” instead of “Pei Penne”.  

Andal tries another trick by addressing her as one having Tejas. Nothing works. She wonders if their singing the Glory of Kesava who is none other than Lord Narayana is making her comfortably sleep. Andal is requesting her to open the door .

Ariyakudi Ramanuja Iyengar was instrumental in setting the 

carnatic concert format and that is  is the default standard in all concerts all over the world. Ariyakudi set the tunes for Andal's Thiruppavai 30 pasurams and introduced Thirupppavai to the Carnatic concerts. Listen to Ariyakudi singing "Keechu Keechu Endru Engum" .

http://mio.to/album/Ariyakudi+Ramanuja+Iyengar/Sri+Andal+Thiruppavai+Vol+1